It is an often-repeated piece of advice among many that sharing custody a dog post-separation is a recipe for trouble. Experts frequently claim such situations hinder ex-partners from moving forward, create logistical nightmares, spark arguments, and are a nuisance across the board. As it turns out, as a development suited to a direct-to-platform film, it also makes our furry friends to feel down.
Not to downplay the emotional well-being of dogs – many owners attest to their deep emotional capacity. To witness a standout portrayal in dog sorrow, one need only look a past film. There is little doubt that a dog like Merv, a spirited little dog brought to life by Gus the Dog, would have a hard time adjusting to divided living arrangements. If this concept an entire Christmas romance on such a setup works effectively is a questionable prospect.A Familiar Formula
To its credit, Merv, crafted by the writing duo and under the guidance of Jessica Swale, doesn't pretend to be deeper than what it is. This is a holiday release from a streaming platform giant – the depth is limited. Its storyline unfolds as simple and direct: former spouses Russ, played by Charlie Cox and Anna (Zooey Deschanel), confronting that their individual funk is matched by their dog's, embark on a uplifting getaway to a luxury pet hotel. There, inevitably, they will undoubtedly realize the idea that they are better together. Ensemble players – including familiar faces – are crafted as eccentric, underutilized, or over-the-top. The film's look carries the feel of a streaming service original, with a holiday backdrop that is visibly contrived – as seen in flurries surrounding verdant foliage as a summer location substitutes for a cold December city.
Where the Film Shines
How these predictable parts come together into a pleasant experience hinges on the strength of the performances and the viewer's appetite for cinematic comfort food. On the latter point, Merv knows its audience – individuals who seek out for dog videos. Audiences receive a series of scenes focused on the pet. The primary selling point is the canine star, and though it results in some awkward editing between what the dog does and human reaction, the movie succeeds in showing walking sequences, dog depression, and, ultimately, a tail-wagging resolution.
The Human Element
This level of success is not earned for the interpersonal drama. Its style shifts uneasily between emotional depth, wacky comedy, formulaic romance, and outright slapstick, failing to master a consistent feel. No blame falls on the actor playing Russ, who is admirably committed the humiliating and funny demanded of the unusual premise. Cox exhibits a charming humility that offers much of the film's charm for this seemingly ideal couple. Her co-star Deschanel, in her typical fashion, imparts a distinctive offbeat energy that will either resonate with viewers. The character seems a little too aloof, particularly when paired with Cox's genuine sadness. (It should be noted, Gus the Dog succeeds in looking despondent – not quite Messi from that acclaimed drama, he remains a very good boy.)
The story strives to provide depth to the central romance for sequences focusing solely on them – a bit of a pity, given that the dog is easily the best part of this film designed for charm. As one might predict, it achieves only baseline competence. The catalyst for the split would feel more adult and realistic with greater exploration and less blunt explanation. Ultimately, Merv is slight and sweet, hitting all its marks. Making a film on this shared-custody premise isn't a bad idea – even if it's not exactly a stroke of genius.
- Merv premieres on Prime Video starting December 10.
